Wednesday, December 24, 2014
Tuesday, December 23, 2014
Monday, December 22, 2014
Sunday, December 21, 2014
Generations of Porcupines
Monday, December 15, 2014
The Marvelous Miss Take, a Red Headed Robin Hood
Sometimes a video game is just a video game. And there's little else to say about it than that.
It helps, though, when that video game is also a good game.
Thursday, December 11, 2014
Wednesday, December 10, 2014
Tuesday, December 9, 2014
Why don't you just admit that you're freaked out by my robot hand?
I kind of love everything about this. It's the simplicity of the central plot focus coupled with the overly complex and baroque quality of everything else on display here.
I'm tempted to apologize for admiring this and maybe it's just that I haven't slept much as usual, but I just admire the moxie of this little project.
Monday, December 8, 2014
The Moving Pixels Podcast Steps Over The Line
As always I've spent a lot of time this year playing games, a lot of League of Legends and a lot of small indie games. I've found myself largely moving away from the triple A space and looked to smaller more minimal things for the most part of late. I've played some good games and some games that want to be a lot more than they are--but weren't. However one of the best games that I played this year was a game that is a couple of years old, is something more like a triple A title, and that wants to be more than merely "a game." And it is more than that.
Spec Ops is an effort at creating something like a classic tragic narrative in a video game, something not generally possible in a medium where eternal life and growing more and more powerful and competent in order to "win" is usually the central goal. The game is able to define a tragic situation for the protagonist and implicate the player in the flawed nature of the game's "tragic hero." It's an awfully interesting and well executed experiment in game storytelling.
Since I was so take by the game and we hadn't discussed it in the past, we focused on it this week in lieu of some big Christmas sequel that is less experimental and is more of the same.